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A narrow, austere hallway in City View Lofts leads to a corner unit and
a breathtaking surprise. When you enter the home of Stephen Pararo and
Jim Moss, you are embraced by two expansive walls of arched windows.
“When we walked up here and saw this view, we knew this was it,” said
Pararo, owner and principle designer of Pineapple House Interior Design
in Atlanta. The vista sweeps from Midtown south to downtown and east
past the canopy of The Carter Center.
When they saw the space in the
Poncey-Highland neighborhood
five years ago, it still was under construction. Pararo, equipped with
an interior design degree from Florida
State University, architecture
degree from Georgia Tech and 25 years of experience, immediately went to
work. His boldest move was to add a mezzanine that seems to float in
the majestic loft space. This addition became a library and sitting
room, inspired by the two-tiered walnut-paneled library at the Biltmore
House near Asheville,
N.C.
Floor-to-ceiling shelves of books (including many medical
textbooks that belonged to Pararo’s father) form visual pillars on each
end of the mezzanine. A simple, spiral staircase, tucked into one
corner, provides access to the upper level. The space offers another
vantage point to enjoy the panorama. Two over stuffed chairs and a
table rest in the center of the mezzanine, in a bow that echoes the arch
of the windows.
Unlike the Biltmore library, this mezzanine does not wrap
around the room, “I didn’t want it to be overwhelming,” Pararo, said.
“I wanted to give the loft more drama and personality, and what could be
more dramatic that to be able to go up there?”
The view provides an ever-changing backdrop to the living
space, from the morning mist to spectacular sunsets to luminous
moonlight.
“Even though we’re living right in the city, you can connect
with nature here. You don’t feel shut up,” Pararo said. When on the
Freedom Parkway trail is just a block away, enjoyable on it’s own and
spiced with the occasional encounter with neighbors Jane Fonda, and
Jimmy and Rosalynn Carter.
To conserve energy in the 2,000-square-foot loft, the
windows are double paned and insulated. A triple layer of 19-foot long
curtains adds more control over the elements. Operated by a remote
control, the layers included a thick, thermal panel to block out the
sun, a gauzy grid-patterned sheer to soften the light, and a lustrous
silk to add elegance and old-world charm.
With all the color outdoors, little is needed inside. The
oak floors are polished deep brown. The furnishings and rugs tend to be
colors of light straw, golden wheat and pewter. The kitchen countertops
are deep slate-hued quartz.
Everywhere, there’s a juxtaposition of design: nature taking
center stage in an industrial setting; inviting, creature comforts in a
warehouse; modern furnishings mixed with antiques and 19th
century art.
In addition to the mezzanine, Pararo changed the layout of
the master bath, moving the tub to the downstairs bathroom and adding a
steam room/shower that overlooks Poncey-Highland through one-half of the
arched window (yes, there’s a curtain).
He added staggered wall units in the entry hall and closets in the
master bedroom. But the masterpiece is the mezzanine, for it adds
another dimension to the loft without compromising the light and airy
qualities that make it so inviting.
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